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Novel by Dan Dark-brown

The Da Vinci Code
DaVinciCode.jpg

The first U.S. edition
Author Dan Chocolate-brown
Country United States
Serial Robert Langdon #2
Genre Mystery, Detective fiction, Conspiracy fiction, Thriller
Publisher Doubleday (Usa)

Publication date

 April 2003
Pages 689 (U.Southward. hardback)
489 (U.South. paperback)
ISBN 0-385-50420-9 (US)
OCLC 50920659

Dewey Decimal

 813/.54 21
LC Form PS3552.R685434 D3 2003
Preceded by Angels & Demons
Followed by The Lost Symbol

The Da Vinci Code is a 2003 mystery thriller novel by Dan Brown. It is Brown's second novel to include the character Robert Langdon: the starting time was his 2000 novel Angels & Demons. The Da Vinci Code follows "symbologist" Robert Langdon and cryptologist Sophie Neveu after a murder in the Louvre Museum in Paris causes them to go involved in a battle between the Priory of Sion and Opus Dei over the possibility of Jesus Christ and Mary Magdalene having had a child together.

The novel explores an alternative religious history, whose primal plot point is that the Merovingian kings of French republic were descended from the bloodline of Jesus Christ and Mary Magdalene, ideas derived from Clive Prince's The Templar Revelation (1997) and books by Margaret Starbird. The volume besides refers to The Holy Claret and the Holy Grail (1982) though Dan Chocolate-brown has stated that information technology was not used as inquiry fabric.

The Da Vinci Code provoked a popular involvement in speculation apropos the Holy Grail legend and Mary Magdalene's part in the history of Christianity. The book has, however, been extensively denounced by many Christian denominations as an attack on the Catholic Church building, and consistently criticized for its historical and scientific inaccuracies. The novel nonetheless became a massive worldwide bestseller[one] that sold 80 one thousand thousand copies as of 2009[update] [2] and has been translated into 44 languages. In Nov 2004, Random Business firm published a Special Illustrated Edition with 160 illustrations. In 2006, a picture show adaptation was released by Columbia Pictures.

Plot [edit]

Louvre curator and Priory of Sion grand master Jacques Saunière is fatally shot i nighttime at the museum past an albino Catholic monk named Silas, who is working on behalf of someone he knows only as the Teacher, who wishes to discover the location of the "keystone," an item crucial in the search for the Holy Grail.

After Saunière's torso is discovered in the pose of the Vitruvian Man by Leonardo da Vinci, the constabulary summon Harvard professor Robert Langdon, who is in boondocks on business. Constabulary captain Bezu Fache tells him that he was summoned to help the police decode the cryptic message Saunière left during the concluding minutes of his life. The message includes a Fibonacci sequence out of order and an anagram 'O, draconian devil Oh, lame saint'.

Langdon explains to Fache that the pentacle Saunière drew on his chest in his own claret represents an allusion to the goddess and not devil worship, as Fache believes.

Sophie Neveu, a law cryptographer, secretly explains to Langdon that she is Saunière'south estranged granddaughter, and that Fache thinks Langdon is the murderer because the last line in her granddaddy'south message, which was meant for Neveu, said "P.S. Find Robert Langdon," which Fache had erased prior to Langdon's arrival. Nonetheless, "P.S." does not refer to "postscript", but rather to Sophie — the nickname given to her by her grandad was "Princess Sophie". However, she understands that her grandfather intended Langdon to decipher the lawmaking, which leads to Leonardo da Vinci's Mona Lisa, which in turn leads to his painting Madonna of the Rocks. They find a pendant which holds the address of the Paris branch of the Depository Bank of Zurich.

Neveu and Langdon escape from the police and visit the banking concern. In the safe deposit box they observe a box containing the keystone: a cryptex, a cylindrical, hand-held vault with five concentric, rotating dials labeled with letters. When these are lined upwardly correctly, they unlock the device. If the cryptex is forced open, an enclosed vial of vinegar breaks and dissolves the message inside the cryptex, which was written on papyrus. The box containing the cryptex contains clues to its countersign.

Langdon and Neveu take the keystone to the home of Langdon's friend, Sir Leigh Teabing, an expert on the Holy Grail, the legend of which is heavily continued to the Priory. In that location, Teabing explains that the Grail is non a cup, only connected to Mary Magdalene and her tomb.He tells from 'The terminal supper painting', she was married woman of Christ.

The trio and then flees the land on Teabing's private aeroplane, on which they conclude that the proper combination of letters spell out Neveu'due south given proper name, Sofia. Opening the cryptex, they detect a smaller cryptex inside information technology, along with some other riddle that ultimately leads the grouping to the tomb of Isaac Newton in Westminster Abbey.

During the flight to Britain, Neveu reveals the source of her estrangement from her grandpa ten years earlier: arriving domicile unexpectedly from university, Neveu secretly witnessed a spring fertility rite conducted in the cloak-and-dagger basement of her gramps's state estate. From her hiding place, she was shocked to see her granddaddy with a woman at the centre of a ritual attended by men and women who were wearing masks and chanting praise to the goddess. She fled the business firm and broke off all contact with Saunière. Langdon explains that what she witnessed was an ancient ceremony known as hieros gamos or "sacred marriage."

By the time they make it at Westminster Abbey, Teabing is revealed to be the Instructor for whom Silas is working. Teabing wishes to use the Holy Grail, which he believes is a series of documents establishing that Jesus Christ married Mary Magdalene and bore children, in order to ruin the Vatican. He compels Langdon at gunpoint to solve the 2d cryptex's countersign, which Langdon realizes is "apple." Langdon secretly opens the cryptex and removes its contents earlier tossing the empty cryptex in the air.

Teabing is arrested past Fache, who by now realizes that Langdon is innocent. Bishop Aringarosa, head of religious sect Opus Dei and Silas' mentor, realizing that Silas has been used to murder innocent people, rushes to help the police force find him. When the police observe Silas hiding in an Opus Dei Heart, he assumes that they are there to kill him and he rushes out, accidentally shooting Bishop Aringarosa. Bishop Aringarosa survives but is informed that Silas was constitute dead later from a gunshot wound.

The final bulletin inside the second keystone leads Neveu and Langdon to Rosslyn Chapel, whose docent turns out to be Neveu's long-lost blood brother, whom Neveu had been told died every bit a kid in the car accident that killed her parents. The guardian of Rosslyn Chapel, Marie Chauvel Saint Clair, is Neveu'southward long-lost grandmother. It is revealed that Neveu and her brother are descendants of Mary Magdalene. The Priory of Sion hid her identity to protect her from possible threats to her life.

The real meaning of the last message is that the Grail is buried beneath the small pyramid straight below the La Pyramide Inversée, the inverted glass pyramid of the Louvre. It also lies beneath the "Rose Line," an allusion to "Rosslyn." Langdon figures out this final piece to the puzzle; he follows the Rose Line(prime meridian) to La Pyramide Inversée, where he kneels to pray before the hidden sarcophagus of Mary Magdalene, as the Templar knights did before her.

Characters [edit]

Reaction [edit]

Sales [edit]

The Da Vinci Lawmaking was a major success in 2003 and was outsold only by J. K. Rowling's Harry Potter and the Order of the Phoenix.[3]

It sold 80 1000000 copies worldwide.[4]

Historical inaccuracies [edit]

The volume generated criticism when it was first published for inaccurate description of core aspects of Christianity and descriptions of European fine art, history, and architecture. The book has received generally negative reviews from Catholic and other Christian communities.

Many critics took issue with the level of research Dark-brown did when writing the story. The New York Times writer Laura Miller characterized the novel as "based on a notorious hoax", "rank nonsense", and "bogus", proverb the volume is heavily based on the fabrications of Pierre Plantard, who is asserted to have created the Priory of Sion in 1956.

Critics accuse Brownish of distorting and fabricating history. For example, Marcia Ford wrote:

Regardless of whether you agree with Brown's conclusions, it's clear that his history is largely fanciful, which means he and his publisher take violated a long-held if unspoken agreement with the reader: Fiction that purports to nowadays historical facts should be researched as carefully equally a nonfiction book would exist.[5]

Richard Abanes wrote:

The near flagrant aspect... is not that Dan Brown disagrees with Christianity simply that he utterly warps it in order to disagree with it... to the indicate of completely rewriting a vast number of historical events. And making the matter worse has been Brown'due south willingness to pass off his distortions as 'facts' with which innumerable scholars and historians concur.[5]

The book opens with the merits by Dan Brown that "The Priory of Sion—a French secret order founded in 1099—is a existent organization". This exclamation is broadly disputed; the Priory of Sion is generally regarded as a hoax created in 1956 by Pierre Plantard. The author as well claims that "all descriptions of artwork, architecture, documents… and hugger-mugger rituals in this novel are accurate", merely this merits is disputed by numerous bookish scholars proficient in numerous areas.[6]

Dan Brown himself addresses the idea of some of the more controversial aspects being fact on his web site, stating that the "FACT" folio at the beginning of the novel mentions only "documents, rituals, organisation, artwork and architecture", but non whatsoever of the aboriginal theories discussed by fictional characters, stating that "Interpreting those ideas is left to the reader". Chocolate-brown also says, "Information technology is my belief that some of the theories discussed by these characters may have merit" and "the secret behind The Da Vinci Code was too well documented and significant for me to dismiss."[7]

In 2003, while promoting the novel, Brownish was asked in interviews what parts of the history in his novel really happened. He replied "Absolutely all of information technology."[viii] In a 2003 interview with CNN'southward Martin Savidge he was over again asked how much of the historical background was true. He replied, "99% is truthful… the background is all truthful".[ix]

Asked by Elizabeth Vargas in an ABC News special if the volume would accept been dissimilar if he had written it as non-fiction he replied, "I don't think information technology would have."[10]

In 2005, UK Tv set personality Tony Robinson edited and narrated a detailed rebuttal of the master arguments of Dan Brown and those of Michael Baigent, Richard Leigh and Henry Lincoln, who authored the book Holy Claret, Holy Grail, in the program The Real Da Vinci Code, shown on British Boob tube Channel 4. The program featured lengthy interviews with many of the main protagonists cited by Chocolate-brown every bit "absolute fact" in The Da Vinci Lawmaking.

Arnaud de Sède, son of Gérard de Sède, stated categorically that his father and Plantard had made upward the being of the Prieuré de Sion, the cornerstone of the Jesus bloodline theory: "frankly, information technology was piffle",[11] noting that the concept of a descendant of Jesus was also an element of the 1999 Kevin Smith flick Dogma.

The primeval appearance of this theory is due to the 13th-century Cistercian monk and chronicler Peter of Vaux de Cernay who reported that Cathars believed that the 'evil' and 'earthly' Jesus Christ had a relationship with Mary Magdalene, described as his concubine (and that the 'practiced Christ' was incorporeal and existed spiritually in the trunk of Paul).[12] The plan The Real Da Vinci Lawmaking also cast doubt on the Rosslyn Chapel association with the Grail and on other related stories, such every bit the declared landing of Mary Magdalene in France.

Co-ordinate to The Da Vinci Lawmaking, the Roman Emperor Constantine I suppressed Gnosticism because it portrayed Jesus as purely human being. The novel'due south statement is equally follows:[thirteen] Constantine wanted Christianity to act as a unifying organized religion for the Roman Empire. He idea Christianity would appeal to pagans only if it featured a demigod similar to pagan heroes. According to the Gnostic Gospels, Jesus was merely a homo prophet, not a demigod. Therefore, to change Jesus' prototype, Constantine destroyed the Gnostic Gospels and promoted the gospels of Matthew, Mark, Luke, and John, which portray Jesus as divine or semi-divine.

But Gnosticism did not portray Jesus as just human.[fourteen] All Gnostic writings describe Christ as purely divine, his homo body being a mere illusion (see Docetism).[15] Gnostic sects saw Christ this way because they regarded affair as evil, and therefore believed that a divine spirit would never have taken on a material trunk.[14]

Literary criticism [edit]

The book received both positive and negative reviews from critics, and it has been the subject of negative appraisals apropos its portrayal of history. Its writing and historical accuracy were reviewed negatively past The New Yorker,[16] Salon.com,[17] and Maclean's.[xviii]

Janet Maslin of The New York Times said that i word "concisely conveys the kind of farthermost enthusiasm with which this riddle-filled, code-breaking, exhilaratingly brainy thriller tin can exist recommended. That word is wow. The author is Dan Brown (a name you will want to retrieve). In this gleefully brainy suspense novel, Mr. Brown takes the format he has been developing through 3 before novels and fine-tunes it to blockbuster perfection."[19]

David Lazarus of The San Francisco Chronicle said, "This story has so many twists—all satisfying, most unexpected—that it would exist a sin to reveal too much of the plot in accelerate. Let'due south just say that if this novel doesn't get your pulse racing, you lot need to check your meds."[20]

While interviewing Umberto Eco in a 2008 issue of The Paris Review, Lila Azam Zanganeh characterized The Da Vinci Code as "a bizarre piffling adjunct" of Eco's novel, Foucault's Pendulum. In response, Eco remarked, "Dan Brown is a character from Foucault'south Pendulum! I invented him. He shares my characters' fascinations—the world conspiracy of Rosicrucians, Masons, and Jesuits. The role of the Knights Templar. The hermetic secret. The principle that everything is continued. I doubtable Dan Brown might not even be."[21]

The volume appeared at number 43 on a 2010 list of 101 best books ever written, which was derived from a survey of more than 15,000 Australian readers.[22]

Salman Rushdie said during a lecture, "Practice not start me on The Da Vinci Code. A novel so bad that information technology gives bad novels a bad name."[23]

Stephen Fry has referred to Brown's writings as "consummate loose stool-water" and "arse gravy of the worst kind".[24] In a live chat on June 14, 2006, he clarified, "I just loathe all those book[southward] about the Holy Grail and Masons and Catholic conspiracies and all that botty-dribble. I mean, there's so much more that's interesting and exciting in art and in history. It plays to the worst and laziest in humanity, the desire to think the worst of the by and the desire to feel superior to it in some fatuous way."[25]

Stephen King likened Dan Brown's work to "Jokes for the John", calling such literature the "intellectual equivalent of Kraft Macaroni and Cheese".[26] The New York Times, while reviewing the movie based on the volume, called the book "Dan Brown's all-time-selling primer on how non to write an English language judgement".[27] The New Yorker reviewer Anthony Lane refers to information technology every bit "unmitigated junk" and decries "the crumbling coarseness of the way".[16] Linguist Geoffrey Pullum and others posted several entries critical of Dan Brown's writing, at Language Log, calling Dark-brown one of the "worst prose stylists in the history of literature" and saying Brown'south "writing is not simply bad; it is staggeringly, awfully, thoughtlessly, near ingeniously bad".[28] Roger Ebert described it as a "potboiler written with little grace and fashion", although he said it did "supply an intriguing plot".[29] In his review of the film National Treasure, whose plot also involves aboriginal conspiracies and treasure hunts, he wrote: "I should read a potboiler like The Da Vinci Code every once in a while, simply to remind myself that life is also brusque to read books like The Da Vinci Code."[29]

Lawsuits [edit]

Writer Lewis Perdue alleged that Brown plagiarized from ii of his novels, The Da Vinci Legacy, originally published in 1983, and Daughter of God, originally published in 2000. He sought to cake distribution of the book and motion-picture show. However, Judge George Daniels of the Us District Court in New York ruled against Perdue in 2005, saying that "A reasonable average lay observer would not conclude that The Da Vinci Code is essentially similar to Girl of God" and that "Any slightly similar elements are on the level of generalized or otherwise unprotectable ideas."[30] Perdue appealed, the second United states of america Circuit Court of Appeals upheld the original decision, proverb Mr. Perdue's arguments were "without merit".[31]

In early on 2006, Michael Baigent and Richard Leigh filed adapt against Brown's publishers, Random Firm. They alleged that significant portions of The Da Vinci Code were plagiarized from The Holy Blood and the Holy Grail, violating their copyright.[32] Chocolate-brown confirmed during the court case that he named the principal Grail good of his story Leigh Teabing, an anagram of "Baigent Leigh", subsequently the two plaintiffs. In reply to the proposition that Henry Lincoln was also referred to in the book, since he has medical issues resulting in a severe limp, like the grapheme of Leigh Teabing, Brown stated he was unaware of Lincoln's affliction and the correspondence was a coincidence.[33] Since Baigent and Leigh had presented their conclusions equally historical research, not equally fiction, Mr Justice Peter Smith, who presided over the trial, deemed that a novelist must be free to use these ideas in a fictional context, and ruled against Baigent and Leigh. Smith too hid his ain secret code in his written judgement, in the grade of seemingly random italicized letters in the 71-folio document, which apparently spell out a bulletin. Smith indicated he would confirm the code if someone bankrupt it.[34] After losing before the High Court on July 12, 2006, they then appealed, unsuccessfully, to the Court of Appeal.[33] [35]

In April 2006 Mikhail Anikin, a Russian scientist and art historian working as a senior researcher at the Hermitage Museum in St Petersburg, stated the intention to bring a lawsuit against Dan Brown, maintaining that he was the one who coined the phrase used equally the book's title and 1 of the ideas regarding the Mona Lisa used in its plot. Anikin interprets the Mona Lisa to be a Christian allegory consisting of two images, 1 of Jesus Christ that comprises the image'due south right one-half, one of the Virgin Mary that forms its left one-half. According to Anikin, he expressed this idea to a group of experts from the Museum of Houston during a 1988 René Magritte showroom at the Hermitage, and when i of the Americans requested permission to pass it along to a friend Anikin granted the asking on condition that he be credited in whatever volume using his interpretation. Anikin somewhen compiled his research into Leonardo da Vinci or Theology on Canvass, a book published in 2000, but The Da Vinci Code, published three years later, makes no mention of Anikin and instead asserts that the idea in question is a "well-known stance of a number of scientists."[36] [37]

Possibly the largest reaction occurred in Kolkata, India, where a grouping of around 25 protesters "stormed" Crossword bookstore, pulled copies of the volume from the racks and threw them to the ground. On the same twenty-four hour period, a group of 50–60 protesters successfully made the Oxford Bookstore on Park Street decide to stop selling the book "until the controversy sparked by the film'south release was resolved".[38] Thus in 2006, seven Indian states (Nagaland, Punjab, Goa, Tamil Nadu, Andhra Pradesh) banned the release or exhibition of the Hollywood movie The Da Vinci Code (as well as the book).[39] Afterward, ii states lifted the ban under high court order.[ commendation needed ]

Release details [edit]

The book has been translated into over 44 languages, primarily hardcover.[40] Major English language-language (hardcover) editions include:

  • The Da Vinci Code (1st ed.), US: Doubleday, April 2003, ISBN0-385-50420-ix .
  • The Da Vinci Code (spec illustr ed.), Doubleday, Nov 2, 2004, ISBN0-385-51375-5 (as of January 2006, has sold 576,000 copies).
  • The Da Vinci Code , UK: Corgi Adult, April 2004, ISBN0-552-14951-nine .
  • The Da Vinci Code (illustr ed.), Great britain: Bantam, October 2, 2004, ISBN0-593-05425-three .
  • The Da Vinci Code (merchandise paperback), US/CA: Anchor, March 2006 .
  • The da Vinci code (paperback), Anchor, March 28, 2006 , 5 million copies.
  • The da Vinci code (paperback) (special illustrated ed.), Broadway, March 28, 2006 , released 200,000 copies.
  • Goldsman, Akiva (May nineteen, 2006), The Da Vinci Code Illustrated Screenplay: Behind the Scenes of the Major Move Picture, Howard, Ron; Brown, Dan introd, Doubleday, Broadway , the solar day of the movie's release. Including movie stills, behind-the-scenes photos and the full script. 25,000 copies of the hardcover, and 200,000 of the paperback version.[41]

Film [edit]

Columbia Pictures adapted the novel to movie, with a screenplay written past Akiva Goldsman, and Academy Honour winner Ron Howard directing. The motion picture was released on May 19, 2006, and stars Tom Hanks as Robert Langdon, Audrey Tautou as Sophie Neveu, and Sir Ian McKellen as Sir Leigh Teabing. During its opening weekend, moviegoers spent an estimated $77 million in America, and $224 million worldwide.[42]

The film received mixed reviews. Roger Ebert in its review wrote that "Ron Howard is a amend filmmaker than Dan Brown is a novelist; he follows Brown'south formula (exotic location, startling revelation, desperate chase scene, repeat every bit needed) and elevates it into a superior entertainment, with Tom Hanks equally a theo-intellectual Indiana Jones... it's involving, intriguing and constantly seems on the edge of startling revelations."[29]

The film received two sequels: Angels & Demons, released in 2009, and Inferno, released in 2016. Ron Howard returned to straight both sequels.

See likewise [edit]

  • Bible conspiracy theory
  • Christian feminism
  • Constantinian shift
  • Desposyni
  • False title
  • List of best-selling books
  • Smithy code
  • The Jesus Scroll
  • Mona Lisa replicas and reinterpretations
  • The Rozabal Line
  • The Doomsday Conspiracy

References [edit]

  1. ^ Wyat, Edward (November 4, 2005). "'Da Vinci Lawmaking' Losing All-time-Seller Condition" Archived Oct 12, 2013, at the Wayback Machine. The New York Times.
  2. ^ "New novel from Dan Brown due this fall". San Jose Mercury News. Archived from the original on June 4, 2011. Retrieved January 4, 2011.
  3. ^ Minzesheimer, Bob (December xi, 2003). "'Lawmaking' deciphers interest in religious history". Usa Today. Archived from the original on January 10, 2010. Retrieved May 25, 2010.
  4. ^ Heller, Karen (December 29, 2016). "Meet the elite group of authors who sell 100 one thousand thousand books – or 350 million". Independent . Retrieved Apr 25, 2020.
  5. ^ a b Ford, Marcia. "Da Vinci Debunkers: Spawns of Dan Brownish's Bestseller". FaithfulReader. Archived from the original on May 27, 2004. Retrieved Apr 29, 2015.
  6. ^ "History vs The Da Vinci Code". Retrieved Feb three, 2009.
  7. ^ Kelleher, Ken; Kelleher, Carolyn (Apr 24, 2006). "The Da Vinci Lawmaking" (FAQs). Dan Brownish. Archived from the original on March 25, 2008. Retrieved February 3, 2009.
  8. ^ "NBC Today Interview". NBC Today. June 3, 2003. Archived from the original on September 28, 2007.
  9. ^ "Interview With Dan Dark-brown". CNN Sunday Forenoon. CNN. May 25, 2003.
  10. ^ "Fiction". History vs The Da Vinci Code . Retrieved February 3, 2009.
  11. ^ The Existent Da Vinci Code. Aqueduct 4.
  12. ^ Sibly, WA; Sibly, Dr. (1998), The History of the Albigensian Crusade: Peter of les Vaux-de-Cernay's "Historia Albigensis", Boydell, ISBN0-85115-658-4, Further, in their cloak-and-dagger meetings they said that the Christ who was born in the earthly and visible Bethlehem and crucified at Jerusalem was 'evil', and that Mary Magdalene was his concubine – and that she was the woman taken in infidelity who is referred to in the Scriptures; the 'good' Christ, they said, neither ate nor drank nor assumed the true flesh and was never in this globe, except spiritually in the trunk of Paul. I have used the term 'the earthly and visible Bethlehem' because the heretics believed at that place is a different and invisible earth in which – according to some of them – the 'skillful' Christ was born and crucified.
  13. ^ O'Neill, Tim (2006), "55. Early Christianity and Political Power", History versus the Da Vinci Code, archived from the original on May 15, 2009, retrieved February sixteen, 2009 .
  14. ^ a b O'Neill, Tim (2006), "55. Nag Hammadi and the Dead Body of water Scrolls", History versus the Da Vinci Lawmaking, archived from the original on May fifteen, 2009, retrieved Feb 16, 2009 .
  15. ^ Arendzen, John Peter (1913), "Docetae", Catholic Encyclopedia, vol. v, New York: Robert Appleton, The idea of the unreality of Christ's human nature was held by the oldest Gnostic sects [...] Docetism, every bit far as at present known, [was] always an accompaniment of Gnosticism or later on of Manichaeism.
  16. ^ a b Lane, Anthony (May 29, 2006). "Heaven Tin Wait" Archived October 12, 2013, at the Wayback Car. The New Yorker.
  17. ^ Miller, Laura (December 29, 2004). "The Da Vinci crock" Archived September xviii, 2011, at the Wayback Car. Salon.com. Retrieved 2009-05-15.
  18. ^ Steyn, Mark (May 10, 2006) "The Da Vinci Code: bad writing for Biblical illiterates" Archived June 11, 2013, at the Wayback Motorcar. Maclean'due south.
  19. ^ Maslin, Janet (March 17, 2003). "Spinning a Thriller From a Gallery at the Louvre" Archived April 8, 2016, at the Wayback Machine.
  20. ^ Lazarus, David (April 6, 2003). "'Da Vinci Code' a eye-racing thriller". San Francisco Chronicle.
  21. ^ Zanganeh, Lila Azam. "Umberto Eco, The Fine art of Fiction No. 197" Archived October half dozen, 2016, at the Wayback Machine. The Paris Review. Summer 2008, Number 185. Retrieved 2012-04-27.
  22. ^ Yeoman, William (June 30, 2010), "Vampires trump wizards as readers option their best", The West Australian , retrieved March 24, 2011 List (PDF), archived from the original (PDF) on August four, 2011 .
  23. ^ "Famed author takes on Kansas". LJWorld. October 7, 2005. Archived from the original on Baronial xxx, 2009. Retrieved January 4, 2011.
  24. ^ "3x12", QI (episode transcript) .
  25. ^ "Interview with Douglas Adams Continuum". SE: Douglas Adams. Archived from the original on May xix, 2011. Retrieved January 4, 2011.
  26. ^ "Stephen King accost, University of Maine". Archive. Archived from the original on October 13, 2007. Retrieved January 4, 2011.
  27. ^ Sorkin, Aaron (December 30, 2010). "Film Review: The Da Vinci Code (2006)". The New York Times . Retrieved January 4, 2011.
  28. ^ "The Dan Brown lawmaking", Language Log, University of Pennsylvania (also follow other links at the bottom of that page)
  29. ^ a b c Ebert, Roger. "Roger Ebert'southward review". Sun times. Archived from the original on October x, 2012. Retrieved Jan 4, 2011.
  30. ^ "Author Brown 'did non plagiarise'" Archived Nov 28, 2016, at the Wayback Machine, BBC News, August 6, 2005
  31. ^ "Delays to latest Dan Brown novel" Archived Apr 6, 2016, at the Wayback Car, BBC News, Apr 21, 2006
  32. ^ "Approximate creates ain Da Vinci code". BBC News. April 27, 2006. Archived from the original on September 5, 2007. Retrieved September thirteen, 2009.
  33. ^ a b "Authors who lost 'Da Vinci Code' copying example to mount legal entreatment". Retrieved July 12, 2006.
  34. ^ "Judge rejects claims in 'Da Vinci' suit". Today.com. MSN. April vii, 2006. Retrieved February 3, 2009.
  35. ^ "Estimate rejects claims in 'Da Vinci' suit". Today.com. MSN. April 7, 2006. Retrieved February 3, 2009.
  36. ^ Page, Jeremy. "Now Russian sues Brown over his Da Vinski Lawmaking", The Sunday Times, April 12, 2006
  37. ^ Grachev, Guerman (April 13, 2006), "Russian scientist to sue best-selling writer Dan Brown over 'Da Vinci Code' plagiarism", Pravda, RU, archived from the original on October 7, 2012, retrieved May xiii, 2011 .
  38. ^ "Novel earns vandal wrath - Code controversy deepens with warning from protesters". The Telegraph. India. May 18, 2006. Archived from the original on Baronial 27, 2016.
  39. ^ "Bharat extends Da Vinci Code ban" on the footing that it outraged the religious feeling of Christians. Roman Catholic Bishop Marampudi Joji, based in Andhra Pradesh'south capital Hyderabad, welcomed the ban. BBC News, iii June 2006. Retrieved three June 2006.
  40. ^ "World editions of The Da Vinci Code", Secrets (official site), Dan Brown, archived from the original on January 27, 2006 .
  41. ^ "Harry Potter still magic for book sales", Arts, CBC, January ix, 2006, archived from the original on Oct xiii, 2007 .
  42. ^ "The Da Vinci Code (2006)". Box Office Mojo. Archived from the original on May 13, 2013. Retrieved December 16, 2006.

Further reading [edit]

  • Bock, Darrell L. Breaking the da Vinci code: Answers to the questions everyone's asking (Thomas Nelson, 2004).
  • Ehrman, Bart D. Truth and fiction in The Da Vinci Code: a historian reveals what we really know about Jesus, Mary Magdalene, and Constantine (Oxford University Printing, 2004).
  • Easley, Michael J., and John Ankerberg. The Da Vinci Code Controversy: x Facts You Should Know (Moody Publishers, 2006).
  • Gale, Cengage Learning. A Report Guide for Dan Brown's The Da Vinci Code (Gale, Cengage Learning, 2015).
  • Hawel, Zeineb Sami. "Did Dan Chocolate-brown Break or Repair the Taboos in the Da Vinci Lawmaking? An Belittling Study of His Dialectical Style." International Journal of Linguistics and Literature (IJLL) 7.four: 5-24. online
  • Kennedy, Tammie M. "Mary Magdalene and the Politics of Public Memory: Interrogating" The Da Vinci Code"." Feminist Formations (2012): 120-139. online
  • Mexal, Stephen J. "Realism, Narrative History, and the Production of the Bestseller: The Da Vinci Code and the Virtual Public Sphere." Journal of Pop Culture 44.five (2011): 1085-1101. online
  • Newheiser, Anna-Kaisa, Miguel Farias, and Nicole Tausch. "The functional nature of conspiracy beliefs: Examining the underpinnings of belief in the Da Vinci Code conspiracy." Personality and Individual Differences 51.8 (2011): 1007-1011. online
  • Olson, Carl E., and Sandra Miesel. The da Vinci hoax: Exposing the errors in The da Vinci code (Ignatius Printing, 2004).
  • Propp, William H. C. "Is The Da Vinci Code True?." Journal of Religion and Popular Culture 25.1 (2013): 34-48.
  • Pullum, Geoffrey M. "The Dan Brown lawmaking." (2004)
  • Schneider-Mayerson, Matthew. "The Dan Brown phenomenon: conspiracism in post-ix/eleven pop fiction." Radical History Review 2011.111 (2011): 194-201. online
  • Walsh, Richard One thousand. "Passover Plots: From Modern Fictions to Mark and Back Over again." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 3.2-iii (2007): 201-222. online

External links [edit]

  • The Da Vinci Lawmaking (official website), Dan Brown
  • The Da Vinci Code (official website), UK: Dan Chocolate-brown
  • Mysteries of Rennes-le-Château
  • The Da Vinci Code and Textual Criticism: A Video Response to the Novel, Rochester Bible, archived from the original on Dec 12, 2010
  • Walsh, David (May 2006), "The Da Vinci Code, novel and pic, and 'countercultural' myth", WSWS (review)

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